Friday, October 29, 2010

November - December : Quilt Shows, Exhibits, and Raffles !

Today we are featuring the upcoming events in the quilting world. They include festivals and quilt shows in the US, UK, Australia and New Zealand; the International Quilt Show in Houston; two special auctions, where you can see hundreds of inspiring mini-quilts; and the 2010 World Series Quilt Challenge. Here we go...

Quilt Exhibits  


Row 1 above, L-R: Art Quilts XV, Needleplay, at the Chandler Center for the Arts (Nov. 5- Jan 15); Cream of the Cloth, at the San Jose Quilt Museum (Nov 16 - Jan 30); Sew New Contemporary Artist Quilts, at the Osilas Gallery, Concordia College (Nov 4-Dec 11).  Row 2:  Quilts = Art = Quilts, at the Schweinfurth Memorial Art Center (on now, until Jan 9); The 29th Annual Capital City Quilt Show at the Museum of Florida History (on now, until Jan 23);  Red and Green Extraordinaire, at the Rocky Mountain Quilt Museum (Nov 2 - Jan 29).  Also see Marseille, White Corded Quilting, at the International Quilt Study Center & Museum (Nov 13- May 22), Superstars: Quilts from the American Folk Art Museum (Nov 16, 2010-Sept 25, 2011); and the Australia Wide Two art quilt exhibit, at the Fairfield City Museum and Gallery in New South Wales (on now, until December 5).

Special Benefit Auctions


Row 1 above: "New from Old" contest, at the Alliance for American Quilts, on now, until Dec 6. Row 2: The 3rd Annual High Fiber Under Five Benefit Art Sale, Nov 5-6, at the San Jose Museum of Quilts and Textiles.  Row 3: 2010 World Series Quilt Challenge,  Alzheimer's Art Quilt Initiative, Nov 1-10.

International quilt shows: International Quilt Festival/Houston (Nov. 4-7, Texas); World Quilt Show (Nov. 12-14, Florida).

Opportunity Quilts, Shows, and Festivals !


Row 1, L-RNeedlechasers Quilt Guild show  (Dec. 3-4, Maryland); Roseville Quilters Guild raffle only (December drawing); 15th Annual Quilt Auction, Friends of Alaska CASA (Nov. 20, Alaska); International Quilt Association, raffle (November 7 drawing, at the International Quilt Festival, Houston). Row 2: Block Party Quilters Club 2010 show (Nov. 5-7, Washington); Rocky Mountain Quilt Museum raffle (December drawing); Calico Christmas, the Auckland Patchworkers & Quilters Guild show (Nov. 5-7, New Zealand); Country Road Quilters show  (Nov 5-6, Florida). Row 3: Sun Country Quilters, raffle only (December drawing); Pioneer Quilters Guild show (Nov. 5-6 , California); Tokay Stitch 'N' Quilt Guild show (Nov. 6-7, California);  Orange Grove Quilters Guild show (Nov. 5-6, California). Row 4: North County Quilters' Association show & auction (Nov. 6, California; raffle drawing Dec.20); Cypress Creek Quilters Guild show and auction (Nov. 6, Florida); Village Square Quilters show (Nov. 13-14, New York); River City Quilters' Guild show (Nov. 19-21, California).
More quilt shows and festivals: East Coast Quilters Alliance, A Quilters Gathering (Nov 4-7, New Hampshire);  Quilt and Craft Fair (Nov. 4-7 , Adelaide, Australia); Lees Summit Quilters Guild (Nov 5-6, Missouri); Autumn Quilt Festival (Nov 5-7, Cambridge, UK);  The Belfast Creative Crafts Show (Nov 11-13, Ireland); 10th Annual Quilts & Tea Festival (Nov. 12-13, Florida);  Variable Star Quilters show (Nov. 12-13, Pennsylvania); Arkansas Quilters Guild show (November 12-13, Arkansas); Rim Country Quilt Roundup (Nov 12-14, Arizona); Reflections of Nature Quilt Show (Nov 13-14, Ohio);  Ole Time Christmas Quilt, Craft and Fine Arts Show (Nov 19-20, Summit Hill Heritage Center, Pennsylvania); Celebration of Crafts and Quilt Exhibit (Nov 19-20, Oklahoma); The Knitting and Stitching Show 2010 (Nov 28-30, Harrogate, UK); Dickens of a Christmas Quilt Show (Dec 2-5, Wisconsin).

Monday, October 25, 2010

Straight piecing patterns that appear curved: Snail's Trail and Kaleidoscope

When it comes to quilt design, we are drawn to dimensionality (such as attic windows and tumbling blocks), color, and movementIn design, movement is often created by curves, or the illusion of curves.  Today we're discussing two tessellating patterns that display the illusion of curves but are made with straight-seam piecing (the best of both worlds !) We've chosen two stunning modern quilts to illustrate the design principles.

Reel Starz, 74 x 91, by Gail Hansen, at Textures - Fiber Artists


We first saw the dazzling "Reel Starz" at the Road to California in January, 2010 and we fell in love with the quilt. Gail Hansen used hundreds of luscious fabrics to create a color wash, which moves from purple and magenta to indigo, blue, aqua, and green.  The white, ivory and cream stars appear to hover above the darker background, creating a three-dimensional effect. "Reel Starz" won the honorable mention award in the traditional, large, pieced category at Road to California; it was also juried into the 2010 Pacific International Quilt Festival. In the photo shown below you also can see the quilting, which was done by Judy Woodworth (Gering, NE).  She used beautiful variegated thread in the colored parts of the quilt and then added interest in the white/cream areas with circles or bubbles somewhat randomly placed.


Gail Hansen began working on "Reel Starz" at a family quilt retreat in 2008, and the quilt was completed in 2009. The family quilt retreat has become a tradition in which Gail, her mother, and 2 sisters meet in Nebraska to work on a predetermined project - each on her own - for 3 - 5 days. In her artist's statement, Gail says: "Reel Starz exemplifies my love of color and family."  Her family celebrated their 13th annual "Quiltathon" this past summer !" The core snail's trail block in "Reel Starz" is highlighted below.


With respect to naming:  Gail Hansen's "Reel Starz" was based on Shakespeare in the Park by Judy Martin, which combines Virginia Reel with Rising Star and Evening Star blocks.  Most of us would recognize the block shown above as Snail's Trail, but it is also known in The Quilt Index as Virginia Reel, and occasionally as Monkey Wrench. Note that a similar pattern with a small 4-patch in the middle is known by the same names. To add to the complex nomenclature, the names Monkey Wrench and Virginia Reel have been used to describe several other, totally different blocks* !

Organic Kaleidoscope, by Jennifer Tucker, at A Few Choice Words



Jennifer Tucker has created a spectacular modern quilt based on a kaleidoscope quilt block. "Kaleidoscope" uses straight piecing, but it creates the illusion of curves and overlapping circles.  Jen selected the beautiful, pure colors to represent the tropical flowers of Costa Rica, where she lives. In Jen's design, the colors cross the block boundaries, so the blocks are simply a means of construction rather than the focus of the design.  We also love the diagonal movement of dark to light values across the quilt. Here is a wonderful photo of the quilt in progress on Jen's design wall:


The individual kaleidoscope blocks are based on a grid of alternating dark and light triangles that form a continuous pattern when the blocks are set together. The image below is from Jen's initial design on EQ, and you can clearly see the secondary circular design that appears when the blocks are tiled together: 


We loved reading Jen's descriptions of her design process at jentucker.blogspot.com.  Here are her individual posts about Organic Kaleidoscope:  initial design on EQ; selecting fabrics; cutting triangles; laying out on the design wall; discussing (in comments) how many seams it takes to make a quilt out of 756 triangles; debating (again in comments) which orientation the quilt should have; final tweaks to the layout; constructing the top; and quilting.

Finally, have you ever thought about taking a quilt retreat and seeing Costa Rica at the same time ?  You can read about the retreats, which are hosted by Jennifer Tucker and Rita Ulloa, at The Costa Rica Quilt Retreat (now that sounds like fun !)

Image credits and additional resources: Images are shown with the generous permission of the artists.  
Snail's Trail/Virginia Reel:   *For block nomenclature, see Jinny Beyer, The Quilter's Album of Patchwork Patterns: 4050 Pieced Blocks for Quilters, p. 342.   
Kaleidoscope: A variety of different kaleidoscope blocks can be found in Jinny Beyer's book. Quilts based on the classic block shown in "Organic Kaleidoscope" can also be found in Kaleidoscope ABCs: 14 Step-by-Step Patterns.  In recent years, the term "kaleidoscope quilt" has been applied to quilts that mimic the appearance of repeating patterns as seen through a kaleidoscope. Such "kaleidoscopic" designs require a set of identical pieces cut from a print fabric to make hexagons, octagons, or more complex polygons.  In the latter case, the design focus is on the repeating fabric pattern, rather than on the circular designs formed by the tiled blocks. See for example Kaleidoscopes and Quilts by Paula Nadelstern, Magic Stack-n-Whack Quilts by Bethany Reynolds, and One-Block Wonders: One Fabric, One Shape, One-of-a-Kind Quilts by Maxine Rosenthal.

Monday, October 18, 2010

Fruits of the Season : Harvest Quilts Part I

Anyone who spends the spring and summer carefully tending crops or working on a farm must surely be pleased when the plants bear fruit that is ripe for picking. This is the joy of harvest season and the feeling of well-being and accomplishment. No wonder that our quilting foremothers used the theme of harvest  in their creations as a way of celebrating the bounty of life.

With this post, we are beginning a multi-part series on quilts with images of pumpkins, pears, apples, and other harvest items. Join us as we browse through lovely quilts with colors and patterns as richly varied as all the goodness of nature.

Pumpkin, app. 16 x 20, by Frieda Anderson


We had such a wonderful time featuring Frieda Anderson's work on our Dances With Nature blog post, that we wanted to bring back her vibrant creations for an encore. Here's "Pumpkin," done in a sumptuous, radiant orange, cradled gently in a bed of protective sage green and pale olive leaves. The vines reach out in whimsical spirals announcing to us that the pumpkin is at its peak of growth.The restful background which elegantly fades to purple, then burgundy,  gives this quilt both a feeling of joy and serenity.  If you click on the image to expand it, you'll be able to see some of  the quilting which perfectly complements the pattern.

Three Pumpkins, app. 20 x 16, by Frieda Anderson


Notice Frieda's flawlessly perfect perspective, as she displays a family of pumpkins from various angles of repose. The stately pumpkins are beautifully contrasted with the sunny green leaves turning out and up to greet the world. One of Frieda's many talents is creating fabric colors with gorgeous, subtle streaks and highlights which really make her background and foregrounds glow as if they are lighted from behind. Her gradations of color are delicious eye-candy, which provide so much fascinating visual interest.

Our readers owe themselves a visit to Frieda's  Friestyle website, where she offers vividly beautiful patterns for quilters. Right now, the Pumpkin and  Petite Sunflowers patterns are on sale for an incredible $3.00 apiece -- what a bargain ! And, what's wonderful is that in addition to the pattern, Frieda sells her gorgeous fabric separately to make these quilts, so you can achieve the same luscious, luminescent effects that make Frieda's work so entrancing.

The Blue Door,  28 x 31, by Ana Buzzalino


Fresh from the Pacific International Quilt Festival, held October 14-17 in Santa Clara, California, comes Ana Buzzalino's entry,  "The Blue Door", a machine stitched, hand-stitched, and hand-painted work. This is actually a wholecloth quilt, dyed with Procion dyes, which work on the fibers from the inside out, giving very intense and pure color to the fabric. Instead of providing a solid color fabric background for the still life display of pumpkins and pears, Ana used a photo of an old door to inspire her. She painted and stitched the background so that it has a faded, lined, weathered look which contrasts with the vibrant pumpkin. Ana explains, "The pumpkin and pears have been touched up with paint and color pencils to create depth and definition."  Ana achieves a very contemporary effect by allowing the bright orange, blue, and chartreuse dye to gently run off the surface that holds the pumpkins, thus enhancing the transparent effect of this work. For more of Ana's captivating work, please visit her Patches and Paint website.

Wednesday, October 13, 2010

Working with Color and Design: A Tutorial

We keep track of fabric swatches that inspire us by creating digital palettes, as in a fabric journal.   In this tutorial we'll explain how you can do this on your own computer, without complicated software. This approach can also be used to assess the value (lightness or darkness) of various swatches. It's fast, easy, and free !


In design, it has been said that "color gets all the credit, but value does all the work". As with the batik swatches shown below, it can be difficult to tell which fabric is lighter or darker. Can you tell which of these swatches is the darkest?


You'll be able to collect swatches on a single page (a PowerPoint slide) and then convert them to grayscale to compare their relative values.  You can use images you download from fabric manufacturers (we'll explain how*), or you can scan your own fabrics on a flatbed scanner to create the images.

If you already know how to open Microsoft Office PowerPoint, simply scroll down to Viewing Swatches in PowerPoint and follow the 6 easy steps. If you are not sure if you have PowerPoint, here's where to look for it:

How to locate PowerPoint on your computer

1. Click on the start menu button at the lower left of your screen.(note: we're using a PC with Windows XP and Microsoft Office 2007. If you have Windows Vista, various menu items will be in different places, but you should be able to follow the tutorial).


2. Click on All Programs to see the programs on your computer. The list will open and look something like this:


3.  Locate Microsoft Office and move the cursor over it to pop up the contents of the folder (see below). You should see Microsoft Office Tools, Microsoft Office Excel, and other programs. Click on Microsoft Office PowerPoint to open the program.


Viewing Swatches in PowerPoint:  6 easy steps

Step 1.  Open PowerPoint. A screen will open like this:


Step 2.  Get rid of any title and subtitle boxes.

Select the title box by clicking on the dotted outline of the box, then hit the delete key on your keyboard.  Do the same for the subtitle text box (select it, then hit delete).  (Tip:  you will know that a box has been selected when a green dot or “handle” appears at the top center of the box, as shown below).


Step 3.  Download the lime-lavender-turquoise swatch montage to your computer.

Right-click* on the lime-lavender-turquoise swatches shown at the top of this post (for convenience, we've already grouped them into a set of three) and click on Save Image As (shown below).



 When the Save Image box appears, as shown below, use the drop-down menu to choose a folder to Save In (such as "My Pictures"), type in a File name if necessary ("fabric swatch montage") and click Save. (Tip:  The file will be saved as a JPEG File Interchange Format (*.jpg) as shown below.  You can also save it as a .png file, but the file size will be larger).


Step 4.  Insert the picture you just saved into the PowerPoint slide you just opened.

At the top of the PowerPoint screen, locate the tab that says Insert (see below) and click on it to see the drop-down menu items ( “picture”, “clip art”, “photo album”, etc.) Click on Insert > Picture.


Step 5. When the "Insert Picture" box pops up, select the fabric swatch of interest, then click "Insert".

Use the drop-down menu if necessary to locate the folder that contains the picture you just saved.  Click to highlight the file named “fabric swatch montage for tutorial.jpg”, as shown below.  (Tip:  The thumbnail view we've shown below makes it handy to find your swatches without having to remember the exact file name. If your files show up as a list of file names instead of thumbnails, you can change them to thumbnails by clicking on the drop-down "views" menu; it is the little icon that appears at the upper right corner of the Insert Picture window, just under the red "X").


Once the swatch file is highlighted and you click on Insert, the picture will be pasted into your PowerPoint slide.

Step 6. Change the View to Grayscale.

In PowerPoint, click on the View tab, as shown below (red arrow). Notice the box that is automatically highlighted, that says Color, and just below it, Grayscale (and below that, Pure Black and White).


 Click on Grayscale to see the swatches in grayscale, as shown below.


In Grayscale, it is easy to see that the two swatches on the right – which were lavender and turquoise - are actually very similar in value. (We would have guessed that the turquoise was darker than the lavender).  The swatch on the far left, which was lime green, is much lighter than the other two, as we would have guessed. Note that you can toggle back and forth between grayscale and color, by clicking on “Back To Color View” at any time.

Finally, one more tip: to re-size a fabric swatch that is too large for the slide, first click on the image to select it. Then, using one of the handles that will appear on each corner of the object when it is selected, click and drag with your mouse to re-size the image. (In later tutorials we’ll show how to maintain the "aspect ratio" (height-to-width) when re-sizing an object).


*Notes: All manufacturers show swatches of their current lines, and some of them - like Moda - enable downloading of entire collections.  To save online swatches to your own computer, follow step 3 above.  Right-clicking means, while the cursor is over a swatch, click the right-hand mouse button and then follow the prompts to Save As.   (Note that this approach is designed for analyzing fabric swatches for your personal use, such as in deciding which fabrics to purchase for a new project.  Be aware of copyright restrictions when you are downloading images from the web.)

p.s.  This is our first tutorial, and we’d love to hear your thoughts.  We realize that EQ, for example, has built-in swatch features.  Do you already use your computer to analyze fabric swatches?

Monday, October 11, 2010

Winners of the October Giveaway !


Thank you, everybody, for the very kind comments you wrote for the October Giveaway !  Greg ( the husband of Daryl) reached into the hat and drew out five names at random. Here they are, with our congratulations:

1. The winner of the Jo Ann $ 10 gift card is GG 140

2. The winner of the first fabric assortment is Barbara Ann Beamer Jones

3. The winner of the second fabric assortment is White Stone.

4. The winner of the "American Patchwork and Quilting" magazines, plus the "Take Five Pattern" is Marty's Fiber Musings

5.The winner of the "How To Make An Amish Quilt" book is Nancy Sue.

Winners, please e-mail us your name and shipping address ( which we will hold in confidence) to quiltinspiration@gmail.com .We'll ship out your prize, postage paid, as soon as possible.

All of your comments were so lovely, that we really wish we could award a prize to each of you this month. However, we have the next best thing -- another Giveaway coming up as the holiday season approaches ! Please stay tuned for the Holiday Giveaway, which will feature beautiful, 2010 Moda fabric and more.

Friday, October 8, 2010

Crazy about Jane, Nearly Insane, and Just Plain Nuts

We're still crazy about two formidable sampler quilts: the 1863 quilt by Jane A. Blakely Stickle, and the 1870's quilt by Salinda W. Rupp. We admire the modern-day quilters who have tackled these epic works, while managing to retain (or regain) their sanity !

The Jane A. Stickle quilt was, of course, made famous by Brenda Papadakis, who coined the term Dear Jane® and chronicled each of its 225 blocks. In a previous article called Crazy About Jane we featured some gorgeous name-appropriate quilts, including "Dear Jane's a Pain", "No Pain - No Jane", and "My Insanity".

The Salinda W. Rupp quilt was brought to light by Liz Lois, who named it Nearly Insane. The Salinda quilt has 'only' 93 six-inch blocks, but the finished quilt has over 5,500 pieces, making it every bit as onerous as Jane Stickle's quilt.

Hold on to your hat while we move from "Crazy About Jane" to "Nearly Insane", to "Just Plain Nuts".

Facets: Rubies, Emeralds, and Sapphires, by Marcie Thompson, at The Blue Cat Creations


We've been admiring "Facets" for a long time.  Marcie Thompson finished piecing the quilt in just under a year; that's more than one block every two days. You can read her story on the Facets page at the Blue Cat Creations. Marcie's quilts are show-stoppers; while you are visiting her site, check out her Conway Album and Calico Garden quilt pages.

Jeepers... It's Jane, by Beth Schillig, at Beth Schillig.com


"Jeepers.....It's Jane!" won the Viewer's Choice award at the National Quilting Association 2009 show, and a full page article was done on it in the Quilting Quarterly magazine. The quilt also won an award for "Best Interpretation of a Theme" at the 2009 Pacific International Quilt Festival.  Jeepers, along with Beth Schillig's "Sunset Serenade", have been accepted in the Houston International Quilt Show next month ... if you are going to the show, you can see the quilts in person !   For more inspiration, visit Beth's online gallery.

Jane, Past and Present, by Lesley Thomas, at Quilts in Ireland


Lesley Thomas made her gorgeous "Jane, Past and Present" with batiks, set in Kona natural cotton as a background, with a trip-around-the-world design. The quilt was made in 6 months, 22 days.  It is also hand quilted !  Lesley writes: "These little blocks (4-1/2 inch finished) really took me over, and I couldn't stop making them, so I ran ahead of the schedule and just kept going." You can read a compete description of the quilt at the Quilting Board; and visit Lesley's website at Quilts in Ireland.

In The Pink (formerly known as Dear Jane at Sea), by Bonnie Hunter, at Quiltville


Many quilters have admired "In The Pink", and we couldn't resist showing it here.  Who would have thought that storm-at-sea sashing would so beautifully complement the blocks?  Read about the quilt on Bonnie Hunter's In The Pink page, and check out the photo of her hand quilting at her September 20, 2010 post; also see Bonnie's completed baby Jane, done in the traditional style.

A Baby Jane Quilt, 2009, by the Monterey Peninsula Quilters Guild


Over seventy-five members of the Monterey Peninsula Quilters Guild created their own baby Jane for their 2009 opportunity quilt. In this dazzler, 104 medium and large DJ blocks are combined in alternating square sets of 4 and 9 blocks. The center of the quilt surrounded by a continuous border of 68 small blocks, for a grand total of 172.

The City Quilter and Empire Quilters, Inc.: New York City is the center of Janiac-tivity in North America. Over the years, Judy Doenias and Diane Rode Schneck have taught hundreds of students at The City Quilter's Dear Jane classroom.  We showed Judy and Diane's Technicolor Jane, along with the Empire Quilters' Broadway Jane raffle quilt, in Crazy About Jane. Also check out Kitschen Jane by Amy Ronis, and Purple Jane by Debra Levin, which were in the City Quilters' 2009 special exhibition, and Dear Jane Goes to Japan, by Leila Lieberman, at the Urban Inspirations 2007 show. At the Empire Quilters site you can see two completed 225-block DJ's by twin sisters, Barbara Feinstein and Emily Klainberg. Here are two more innovative quilts by guild members:

Janeway, 51 x 66, by Pamela Leonard Wexler, at the Empire Quilters 2009 show


This is Pamela Leonard Wexler's second Dear Jane-inspired quilt.  The center of the quilt was adapted from Mabeth Oxenrider*. Also see Pamela's delightful Jane Plays with Dolls and Jane and Hannah on the Savannah.  You can read about Pamela Leonard Wexler on the November 2004 Quilter-of-the-Month page.

Blue Sky and Sunshine, 62 x 69, by Anna Krassy, at Empire Quilters 2009 show


This striking quilt won a 2nd Prize ribbon at the 2009 Urban Inspirations Show. Anna writes that she took the "Awash With Color" and "Dear Jane" classes at The City Quilter, and combined the two into one quilt.  See more quilts by Anna Krassy on the April 2006 Quilter-of-the-Month page

Nearly Insane, by Liz Lois, at Nearly Insane.com


Some years ago, Liz Lois purchased an out-of-print book at a garage sale. The book had a picture of an 1870's sampler quilt made by Salinda W. Rupp from Pennsylvania.  Working only with the picture from the book, she reconstructed the blocks and pieced them into a faithful reproduction of the quilt. As Liz says: "Not only is this the title of the book, but it also describes how I felt after my three year journey to recreate the quilt, and "Nearly Insane" is what I called my quilt, too, when it was finally finished."  We love the warm color scheme, the dazzling blocks, and the little on-point squares that connect the blocks. Read all about Liz' masterpiece, and the book, at the Nearly Insane website (or is that the website for the nearly insane?)

Nearly Insane, by Hanne Schneider, at Hanne's Quilt Corner


Hanne Schneider inspires us with her creations from Norway, and her rendition of "Nearly Insane" is one of our favorites. The pretty red-and-white colorway gives the whole quilt a crisp look; the blocks really stand out from the snowy white background as a result of the value contrast.  Many of the blocks are incredibly detailed, as you can see from the NI block photos shown below. 

The block on the right is the one with 229 pieces; just look at the perfect piecing of the teensy triangles. At Hanne's Quilt Corner, you can also see her delightful Dear Jane Christmas Quilt .

Nearly Insane, block 75, by Pipers Girls


This complicated NI block has 181 pieces. We love Pipers Girls' dynamic fabric selections, and they always inspire us with their quilts. To read about this quilt and view more impressive blocks, see this Pipers Girls blog post and Flickr links within. Also check out Pipers Quilts and their great Etsy shop.

Just Plain Nuts, 68 x 68, by Liz Lois


For her second book, Just Plain Nuts, Liz designed 49 colorful blocks in the style of Salinda Rupp, and set them together in a new way. This quilt has about half as many blocks as the Salinda quilt, making it only half as insane ! The Just Plain Nuts book can be obtained from many of the sources listed on Nearly Insane, and online from Piecing the Past and Quilted Treasures.

More Nearly Insane quilters:  Nanayane at Nearly Insane in the Brain  has fondly named each of the NI blocks; we are partial to "catatonia" (block 21) and "delirium" (block 18). Also see the Nearly Insane Fans and Nearly Insane Quilts blogs, and a dozen finished NI quilts by the "Salinda Girls" at the Kilmore Quilters' Gallery (Australia).  Don't miss the incredible photos by Reiko at Reiko Quilt (Japan). And last but not least:  a Nearly Insane quilt, named Bewitched, Bothered and Bewindered, won First Place in the "Pieced, Amateur" category at the 19th annual IHQS show.  This raises two questions: if you complete a Nearly Insane quilt, can you still qualify as an amateur? And, what is the meaning of "bewindered" ?

Quilts we have been closely following, in the spirit of insanity :  Here are some magnificent baby Jane quilts in various stages of completion:
Image credits: Quilt images are shown with the generous permission of the artists and the Empire Quilters Guild. Dear Jane® is the registered trademark of Brenda Papadakis and is used with permission.
Footnote:  *See "Trail Mix" by Mabeth Oxenreider at American Patchwork and Quilting.
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