Showing posts with label Suzan Engler. Show all posts
Showing posts with label Suzan Engler. Show all posts

Friday, March 1, 2019

The Best of Digital Quilts (1)

Digital printing technology has changed every industry it has touched, including quilting. Anything you can view or design on a computer can be printed onto fabric, then quilted ! This week and next, we're featuring award-winning fabric artists who have inspired us with their creative works.

p.s. Check out our E-Bay shop for great deals on quilt patterns, fabric, and books ! For continuous free quilt patterns, please visit us on Twitter !

Icons in Blue by Suzan Engler (Texas)


Suzan Engler holds degrees in Computer Science and Business Administration, as well as a Master’s degree in Fine Arts. On her website, Suzan Engler says, "My art is a collaboration of photography, digital painting and manipulation, and contemporary art quilting."


Icons in Blue was based on a commercially licensed photo which was digitally manipulated, printed onto cotton fabric, and then machine quilted by Suzan.  The background of the image features numerous icons, including the word "artist".  For more of her work, please see Suzan Engler's website.

This Land Was My Land by Patricia Kennedy-Zafred (Pennsylvania)


Patricia Kennedy-Zafred says, "The striking image of a young Navajo man in 1906 speaks not only to the forced migration of Native Americans during that historical period, but also to the battle being fought today by the Standing Rock Sioux Tribe... Their stories are an essential part of our diverse American fabric."


This original photo was obtained from the Library of Congress.  This piece was hand-silk-screened, transferred, machine pieced, and quilted. Patricia's prize-winning works have been exhibited nationally and internationally; for more of her work, see her gallery page.

My Arizona by Maureen Tollman


Artist Maureen Tollman says,  "As a native of Arizona, I chose to use a few of my own photographs to depict places in the state.  The background fabric is silk and the photos are mounted onto suede and burlap.  Photographs were printed on treated roller shade fabric using an inkjet printer." 


The rustic feeling of this piece  is enhanced by the addition of metal gears, burlap flowers, and other embellishments.

Birds Eye View, 60 x 24", by Wen Redmond (New Hampshire)


Birds Eye View really caught our eye with its ethereal imagery and pieced-image construction.  Wen Redmond says, "Glancing upward while at a stop sign, I spied a bird sitting high on a branch.  This observation took me on a short reverie, thinking about what the bird was thinking, watching all of us scurry and hurry about our day. This moment gave me back perspective, to remember how precious life is, and to remember the fleeting beauty hidden in today."


Birds Eye View was created by melding several photographs and printing onto prepared canvas.  The fiber photograph is mounted onto sections, which were then stitched, and tied together using dyed pearl cotton.  In the closeup photo above you can also see that the edges of the individual sections are embellished and sealed with metallic paint.
To learn more about her techniques, check out Wen Redmond's 2017 book titled Digital Fiber Art: Combine Photos and Fabric - Create Your Own Mixed-Media Masterpiece:


Mudra, 75" x 51", by Melissa Sobotka (Texas)


Melissa Sobotka’s artwork can be found in many private collections and in the National Quilt Museum. Mudra won an Honorable Mention award at the 2018 Road to California quilt show.  This striking, large wall quilt was based on Melissa Sobotka's own photograph.  She says,  "Mudra is a spiritual gesture and an energetic seal of authenticity employed in the iconography and spiritual practice of Indian religions.  Some mudras involve the entire body but most are performed with the hands and fingers."


The authenticity of this piece is greatly enhanced by the loops of wooden beads that embellish the bottom edge of the quilt, as shown above.  For more of her work (and information about workshops), please visit Melissa Sobotka's website.


Image credits:  Photos were taken by Quilt Inspiration at the 2018 Road to California show (Mudra), the 2015 Quilt Arizona show (My Arizona), and the 2017 Houston International Quilt Festival (Icons in Blue, Birds Eye View, This Land Was My Land).

Thursday, February 22, 2018

Quilts of the The Animal Kingdom

Here's a tribute to some of the wondrous forms of our animal friends who share the earth with us. We're always amazed by the beautiful and various ways that quilt artists are able to use fabric to capture the species of the animal kingdom !

p.s. check out our E-Bay shop for great bargains on quilt patterns, fabric, and vintage jewelry!
For continuous free quilt patterns, please visit us on Twitter.  

Melman - The Vulnerable Giraffe by Jane Haworth (California)

Jane writes, "After watching a documentary about giraffes by the Giraffe Conservation Foundation (GCF), I realized that giraffes are on the Vulnerable list, and their numbers are falling.  I want to bring awareness of their current plight, and I will donate half of the sale of this quilt to the GCF."

Close-up,  Melman

Jane's technique for this quilt is raw-edge collage applique, and her materials are upholstery fabrics, damask, burlap, commercial cottons, hand-dyes, batiks, linen, cotton batting, and cotton thread. Her design source was Pixabay, where all images are copyright-free. We think that Jane did an excellent job at capturing Melman's face and beautiful markings.

When The Aspens Turn by Cindy Seitz-Krug


Close-up,  When The Aspens Turn

Cindy notes, "Every September, my husband and I spend most of the month in the state of Colorado. We usually arrive early,  the aspens are still green, and the bulls are quiet - not bugling yet. But, when the aspens start to turn yellow, the rut kicks in, and the bulls get pretty vocal. It's a magical time to be in the Rocky Mountains !"

Cindy's techniques include fused applique, thread painting, and machine quilting. She's done a lovely job of making the aspen leaves really "pop" against the autumn sky which we imagine to be swirling with clouds.

Llama Drama by Barb Neiwert (Idaho)

Barb exclaims, "I'm a firm believer that quilts should be fun ! And, what is more fun than not one, but two posing llamas? I love everything about this quilt, from picking out the fabric to piecing it, and finally quilting it."  (This is the Lloyd and Lola quilt pattern by Elizabeth Hartman)

Close-up  Llama Drama

Barb continues, "The free-motion squarish swirls add a playful touch. And as the final touch, the binding displays the same colors as the llamas' serapes. Llamas just want to have fun!"  Barb's choice of teal, aqua, and burgundy really enhance this delightful quilt.

Old Timer by Suzan Engler (Texas)

Susan quotes American activist Maggie Kuhn as saying, "[Old age] is strength and survivorship, triumph over all kind of vicissitudes, and disappointments, trials, and excesses."  For her impressive and meaningful portrayal of this wizened old-timer, Susan used digital and professional fabric printing and digital manipulation of the photo, on digitally printed cotton. Her design source was a photo from Graphicstock/Storyblocks, with purchased commercial reproduction rights.

The Bonds by Takashi Kusaka and 7 Friends (Japan)

Takashi notes, "This quilt is made through two different techniques: crazy quilt for the elephant and reverse applique for the zebra."

Close-up, The Bonds

We admire Takashi and friends' use of stunning colors, with soft pastels in the background, enhancing the vibrant, high-contrast hues of the foreground.  This technique for this work is all hand-applique.


Image Credits:  Photos were taken by Quilt Inspiration at the 2017 Houston International Quilt Festival (Melman, The Bonds, Old Timer); the 2016 Arizona Quilters Society QuiltWeek (Phoenix); and the 2017 5Bee Quilters' Guild show (Idaho).

Monday, November 25, 2013

It's Raining Cats and Dogs - Part 2

We're continuing with our coverage of loveable canine and feline images displayed at the International Quilt Festival in Houston, Texas. We think these are all wonderful! In the Comments section below, you be the judge and tell us which ones are your favorites. Do they remind you of your own precious companions?

Snow Buddies, 48 x 48", by Ruth Powers


Ruth states, "These are my two dogs, a 165 rescued shepherd mix and a 145 pound Komondor. I took the photo several years ago, intending to make it into a quilt. This exhibit spurred me to get it done."  Komondors are a rare breed with long cords of white fur, resembling a large rag mop.  You can see the photo that inspired the quilt at Ruth Powers' blog.

Close up, Snow Buddies by Ruth Powers


For Ruth's original design, she used machine piecing and free-motion quilting on a domestic sewing machine.  In this close-up photo you can see the pieced segments that make up the dogs and the snowy background.

Close- up, Snow Buddies by Ruth Powers


We really admire the contemporary geometric piecing of the Komondor's coat which gives a lovely three-dimensional collage-like effect to this quilt.

Mendelssohn by Franki Kohler


Franki says, "Mendelssohn, my bichon frise buddy, was just eight weeks old when my sister snapped a photo of him playing in the grass. I knew immediately that I would use the image to create a quilt." Franki began drawing the pattern in a class taught by Ruth B. McDowell. "Mendelssohn" is machine pieced, then free-motion quilted.

Close up, Mendelssohn by Franki Kohler


 The languid curves of the quilt pattern here are very reflective of the wavy fur coat possessed by many bichon frise dogs. If you’d like to learn more about the inspiration for and construction of this art quilt, and see the original photo that inspired the quilt, click here.

Best Friend, 43 x 59", by Barbara Yates Beasley


Barbara writes, "Drew, our Dalmatian mix, was adopted from the local animal shelter in 2002. He has become my best friend, loyal companion, and the muse for my art. This quilt is the 10th in a series of portraits featuring my best friend."  We love Drew's smiling face and laughing eyes. Doesn't he look as if he's ready to play?

Close up- Best Friend by Barbara Yates Beasley


To assemble her quilt, Barbara used raw-edge fused applique, then she free-motion quilted it.  She has made very effective use of many different values of black and white fabrics.

The Gift by Pamela Seaberg


Pamela notes, "About a year ago, a stray cat came crying to our house. He was cold, full of fleas, and un-fixed. We took him in and gave him a home. A week later, my mother passed away.  I think that my father sent him to us to help me with my grief."
Surrounded by an elegant, classic border that looks almost like an oil painting, this cat has a very noble, dignified look.

Close- up, The Gift by Pamela Seaberg


To create her original design, Pamela used over 50 colors of rayon thread. She drew the outline of the cat on muslin; then did thread painting, hand applique, and machine quilting.

Somebody Say Treat?  by Suzan Engler


Suzan notes, "This is Roxy and Lucy Furr. They are Italian mastiffs and belong to my little brother, who loves big dogs.....When I saw Lucy's eyes, I was inspired to try to document her piercing stare into a quilt."

Close-up, Somebody Say Treat?  by Suzan Engler


Suzan has done a great job of capturing the soulful, intelligent look of these countenances. She used a digitally manipulated photo, which was printed, then thread painted. 

Image credits: Photos were taken by Quilt Inspiration at the 2013 Houston International Quilt Festival.
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