As you can probably tell, we're fascinated by color. A great color scheme is often obvious - we recognize it immediately. Consider this Gee's bend quilt by Willie "Ma Willie" Abrams. Do you like this color scheme?
Roman Stripes variation quilt, by Willie “Ma Willie” Abrams, ca. 1975. Corduroy. Courtesy of The Collection of the Tinwood Alliance; photography by Museum of Fine Arts, Houston
Now, what makes this color scheme work?
First let's consider color value. This quilt has a mixture of light, medium and dark values. Almost every quilt artist has noted that this is a hallmark of an effective design! The orange-yellow has a light value, while the chocolate brown has a very dark value, as seen on the gray scale below.
And regarding color: it seems to us that there is a clever combination of analogous and complementary colors within the quilt. Here is one section, which includes complementary hues of aqua blue and orange-red:
while other sections feature analogous hues of orange-yellow to yellow-green:
Each section of the quilt has a color scheme that is harmonious by itself. Their sophisticated use of color makes the Gee's bend quilters so impressive. Don't you think we can learn a lot by studying their quilts? Here are two books we've been enjoying: The Quilts of Gee's Bend- Masterpieces from a Lost Place, and Gee's Bend: The Architecture of the Quilt, published by Tinwood Media:
Image credits and links: The color analysis was done with Moda's Fabric Matcher. The Roman Stripes variation quilt was shown at the Museum of Fine Art in Houston; you can read about the exhibit in an article by Alvia J. Wardlaw, curator, at Antiques and Fine Art.